untitled 24.1 // 24.2

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24.1

Two perforated metal plates through which ceramic plastic is pressed, an experiment in composition and form. The work refuses to be interpreted unambiguously and opens itself up as an open space for thought between sculpture, relief, and object image.

Perforated sheet metal, ceramic plastic, acrylic, objects 1&2: L:150cm/W:100cm
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24.2

Material experiment. 

Lignite, white acrylic paint, and copper wire in an abstract composition. The rough coal surface forms a dense, earthy structure, broken up by white paint. A loose mesh of copper wire spans across it, acting as a linear counterpoint to the heavy texture. The three-part series functions as a study of the relationship between organic substance, light, and form-giving lines.

Lignite, copper, acrylic, 

objects 1, 2, and 3: L: 150 cm/W: 100 cm

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